Nils Frahm – All Melody
Label: |
Erased Tapes Records – ERATP106LP |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Abstract |
Tracklist
| A1 | The Whole Universe Wants To Be Touched | |
| A2 | Sunson | |
| A3 | A Place | |
| B1 | My Friend The Forest | |
| B2 | Human Range | |
| B3 | Forever Changeless | |
| C1 | All Melody | |
| C2 | #2 | |
| D1 | Momentum | |
| D2 | Fundamental Values | |
| D3 | Kaleidoscope | |
| D4 | Harm Hymn |
Companies, etc.
- Phonographic Copyright ℗ – Erased Tapes Records Ltd.
- Copyright © – Erased Tapes Records Ltd.
- Published By – Manners McDade Music Publishing
- Produced At – Saal 3, Funkhaus Berlin
- Designed At – Feld (2)
- Lacquer Cut At – Alchemy Mastering
Credits
- Alto Vocals [Shards] – Sarah Latto
- Bass Vocals [Shards] – John Laichena
- Cello – Anne Müller (tracks: A3, B1, B2, D2)
- Choir – Shards (5) (tracks: A1, A3, B2, D3)
- Conductor, Arranged By [Co-Arranged], Tenor Vocals [Shards] – Kieran Brunt
- Design – Torsten Posselt
- Drums, Percussion – Tatu Rönkkö (tracks: A2, B2)
- Engineer [Assisting Engineers] – Terence Goodchild
- Guitar [Processed Guitar], Technician [Unheard Sounds] – Erik K. Skodvin*
- Instruments [Other Instruments], Written-By, Producer, Piano [Pianos], Harmonium, Celesta [Celeste], Percussion, Mellotron, Organ [Pipe Organ], Synthesizer [Juno, SH2, Taurus, PS3100, 4Voice, Modular], Drum Machine, Effects, Recorded By, Mixed By, Liner Notes – Nils Frahm
- Lacquer Cut By [Vinyl Cut By] – Barry "Bazza" Grint*
- Marimba [Bass Marimba] – Sven Kacirek (tracks: A2, B1, B2, B3, C1, C2, D2)
- Mastered By – Zino Mikorey
- Percussion – Tatu Rönkkö (tracks: A3)
- Photography By – Lia Darjes
- Soprano Vocals [Shards] – Lucy Cronin
- Technician [Piano Technician] – Carsten Schulz (2)
- Tenor Vocals [Shards] – Sam Oladeinde
- Timpani, Gong [Gongs], Bass Drum, Percussion [Melodic Percussion] – Sytze Pruiksma (tracks: B2, D1)
- Trumpet – Richard Koch (tracks: B2, D2)
- Viola – Viktor Orri Árnason (tracks: A2, A3, B2)
Notes
Housed in a full-colour, matte, embossed single pocket jacket.
Includes 10-page booklet with studio photographs and notes from the artist. A sticker with digital code is included on one of the inner sleeves.
All music written and produced by NILS FRAHM at Saal 3, Funkhaus Berlin, during 2016 and 2017.
©+℗ 2018 Erased Tapes Records Ltd. All rights reserved All tapes erased. Made in the EU
Includes 10-page booklet with studio photographs and notes from the artist. A sticker with digital code is included on one of the inner sleeves.
All music written and produced by NILS FRAHM at Saal 3, Funkhaus Berlin, during 2016 and 2017.
©+℗ 2018 Erased Tapes Records Ltd. All rights reserved All tapes erased. Made in the EU
Barcode and Other Identifiers
- Barcode (On sticker on shrinkwrap): 4050486114407
- Label Code: LC 15952
- Matrix / Runout (Runout; Side A): BAZZA ALCHEMY ERATP106LP-A1 ALL MELODY
- Matrix / Runout (Runout; Side B): TE ERATP106LP-B2 ALL MELODY
- Matrix / Runout (Runout; Side C): X2 ERATP106LP-C2 ALL MELODY
- Matrix / Runout (Runout; Side D): BAZZA ALCHEMY ERATP106LP-D1 ALL MELODY
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| All Melody (12×File, FLAC, Album) | Erased Tapes Records | ERATP106 | Europe | 2018 | |||
| All Melody (CD, Album) | Erased Tapes Records | ERATP106CD | Europe | 2018 | |||
| All Melody (2×LP, Album, LP, All Media, Limited Edition) | Erased Tapes Records | ERATP106LP, ERATP107LP | Europe | 2018 | |||
|
New Submission
|
All Melody (2×LP, Album, Test Pressing, White Label) | Erased Tapes Records | ERATP106 TP | UK | 2018 | ||
|
New Submission
|
All Melody (12×File, MP3, Album, 320 kbps) | Erased Tapes Records | ERATP106 | UK & Europe | 2018 |
Recommendations
-
-
-
-
-
-
-
-
-
2016 UK & EuropeVinyl —LP, Album -
Reviews
-
Found a sealed copy at my local independent. Wow, what a great record for the music, production, and pressing. -
An amazing record. My first copy though sounded awful. So much pops and crackles. Sonic cleaning never solved it. Second copy filthy out of jacket and so far much better. Still some loud pops here and there though. -
Got another copy and woah. Incredible. Thankfully the merchant shop is nice enough to take returns and do exchanges.
This one i have now is outstanding and blows the digital out of the water.
I guess with this release, it is based on luck of the draw lol -
-
-
Edited 5 years agoThis is a beautiful piece of art , cover + booklet and the music ! Perfect pressing, top quality, dead quiet and no manufacture faults. -
My pressing is dead quiet and no issues whatsoever. I don't agree with some of the other reviewers here, as this is hands down probably one of the two or three best releases of 2018, and vinyl is the way to hear it. I have ripped a CD and also listened to the Tidal high-res version multiple times through a high-end DAC, and the depth and clarity of the vinyl makes the soundstage so much deeper and much more crisp (especially for vocals and percussion). Also, if you ever get a chance to hear him live as I did in Boulder this year, you should not miss it ... a breathtaking one-man show. -
Just picked up a copy today. Have had a digital copy of the album for a while and the album itself is great (though maybe not *quite* as great as SPACES). However I was disappointed to discover that I might have a defective copy. That or the wax just can't keep up with the crazy bass on the first few tracks. Either way I'm getting not only distortion but actual skipping, as if the stylus is literally jumping from the heavy bass. Needless to say, I was disappointed, especially since this isn't exactly a cheap disc. Hopefully it's just a manufacturing error and I just got a dud, because otherwise this is a beautiful record.
Video showing my issues: http://schoal.es/Z5BBTH -
The pressing sounds great BUT my copy has some very annoying noises on the D side, not sure how to describe them, not pops, not scratches, some kind of friction noises that sound a bit like digital artifacts. Anyone else? -
Absolutely silent pressing - sounds great! The packaging is superb too - looks like something you'd expect of a limited or special edition rather than a standard edition. I'm glad Nils Frahm's exploring new territory here although I prefer his more acoustic side as opposed to his more electronic offerings. I though the choral elements worked really well. I'm glad that I have no idea where Nils will go from here - predictability is boring!
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
54 copies from $21.90