Gary Numan – Dance
Label: |
Beggars Banquet – BBQLP 2146 |
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Format: |
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Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
A1 | Slowcar To China | 9:05 | |
A2 | Night Talk | 4:26 | |
A3 | A Subway Called 'You' | 4:36 | |
B1 | Cry The Clock Said | 9:54 | |
B2 | She's Got Claws | 4:59 | |
B3 | Crash | 3:35 | |
C1 | Boys Like Me | 4:14 | |
C2 | Stories | 3:09 | |
C3 | My Brother's Time | 4:35 | |
C4 | You Are, You Are | 4:00 | |
C5 | Moral (Extended Version) | 5:41 | |
D1 | Stormtrooper In Drag | 4:57 | |
D2 | Face To Face | 3:45 | |
D3 | Dance | 2:46 | |
D4 | Exhibition | 4:26 | |
D5 | I Sing Rain | 2:29 |
Companies, etc.
- Phonographic Copyright ℗ – Beggars Banquet Records Ltd.
- Copyright © – Beggars Banquet Records Ltd.
- Published By – Numan Music USA LLC
- Published By – Kobalt Music Publishing Ltd.
- Pressed By – Optimal Media GmbH – BH03139
Credits
- Bass – Mick Karn (tracks: A1, A3, A4, C3)
- Claves – Gary Numan (tracks: B3, C3, C5)
- Drums – Roger Taylor (tracks: B3, C4)
- Electronic Drums [Roland C78] – Gary Numan (tracks: A1, A3, B2, C2, C5)
- Engineer – Nick Smith (4)
- Engineer [Assistant] – Sean Lynch
- Guitar – Rob Dean (tracks: C1)
- Guitar, Keyboards, Backing Vocals – Paul Gardiner (tracks: C1)
- Music By, Lyrics By – Numan*
- Photography By – Geoff Howes
- Piano – Gary Numan (tracks: A3, A4, C1, C3)
- Producer, Vocals, Keyboards – Gary Numan
- Saxophone – Mick Karn (tracks: A3, A4, C3)
- Synthesizer [Claptrap] – Gary Numan (tracks: A1, B3, C4)
- Tom Tom – Roger Taylor (tracks: C5)
- Viola – Chris Payne (2) (tracks: A1, A3, B2)
- Violin – Nash The Slash (tracks: B1, C4, C5)
Notes
Keyboards used include Polymoog, Prophet 5, Roland JP4, 30 and Odyssey.
Published by Numan Music USA LLC / Kobalt Music Publishing Ltd.
℗ 1981 Beggars Banquet Records Ltd.
© 2017 Beggars Banquet Records Ltd.
No credits listed on release for tracks D2-5.
Published by Numan Music USA LLC / Kobalt Music Publishing Ltd.
℗ 1981 Beggars Banquet Records Ltd.
© 2017 Beggars Banquet Records Ltd.
No credits listed on release for tracks D2-5.
Barcode and Other Identifiers
- Barcode (Text): 6 07618 21461 6
- Barcode (Scanned): 607618214616
- Matrix / Runout (Side A etched): BBQLP2146A BH03139-01 A1
- Matrix / Runout (Side B etched): BBQLP2146B BH03139-01 B1
- Matrix / Runout (Side C etched): BBQLP2146C BH03139-02 C1
- Matrix / Runout (Side D etched): BBQLP2146D BH03139-02 D1
Other Versions (5 of 41)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Dance (LP, Album, Stereo, AR-Allied Pressing, Gatefold) | ATCO Records | SD 38-143 | US | 1981 | |||
Recently Edited
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Dance (LP, Album, Stereo, Gatefold Cover) | Beggars Banquet | BEGA 28 | UK | 1981 | ||
Recently Edited
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Dance (LP, Album, Gatefold) | Hispavox | S 90.483 | Spain | 1981 | ||
Recently Edited
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Dance (LP, Album, Stereo, Sonopress, Gatefold Cover) | Beggars Banquet | BEB K 58 361, BB 58 361, BB K 58 381 | 1981 | |||
Dance (Cassette, Album, Red Text.) | Beggars Banquet | BEGC 28 | UK | 1981 |
Recommendations
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2019 USA, Canada & EuropeLP, Compilation, Stereo
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Reviews
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Must be an age thing, but when this originally came out in '81, I didn't like it that much. Thought the bass was too much, and the longer tracks were too long. However, now I'm in my mid-50's, I really get it
The additional tracks added to this repress make it just about complete. And the sound quality is perfect for my little set-up -
Edited one year agoIn addition to what others have said, it's very significant to note in one article I've just read that the compression of the album (running time of 50 minutes originally) onto two sides in 1981 caused a compromise to the sound. I DO that being the case. I bought it on the day of release with a birthday token and was rather underwhelmed by it. Not exactly the most exciting album to play when it's your 15th birthday (and actually it wasn't a happy period for me so its low-key, sparse sound was depressing, have to say). Course I've grown up and am in a better place mentally now!!
Anyway not only do I dig this album more these days but this remaster, over 35 years later with the luxury of four sides of vinyl, has made all the difference. I'm rarely, if ever, in favour of remasters of any release prior to the compact disc era but this is a great improvement.
If I was to be slightly picky, the mastering compression has made one piece of percussion on Night Talk stand out rather too much (typical of remasters, I find, they just leave it set globally but it doesn't work for each mixed track!) but hey, I'll accept the compromise!
WHAT AN ALBUM! What impresses me most now is Gary's vocal performance and his feel for the exotic groove going on at the time. Yep we have his customary overshooting or underhitting some notes, smoothed over (just) by the double-tracking, but he's definitely on form I think.
So much to say but I've said enough. Four out of five simply because I only save 5 for utter masterpieces and it ain't quite. But excellent piece of work and very unique.
How many copies are there in the limited edition? Anyone know. -
Updated rating from 3 to 5 stars. This is an excellent, dead-quiet pressing. Excellent mastering and sound stage.
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Brilliant album. Numan sounding much like Japan here throughout, even on the tracks that Mick Karn doesn't appear on. Great reissue that includes extra tracks and is spread out over two discs. Pressing is quiet and clean, dynamic, and warm sounding. Disc two isn't quite flat with my copy, but fortunately doesn't effect play. This Limited Edition double LP on colored wax in a nice solid gatefold is a no brainer at under $30 which it's been selling at for quite a few years now. Wish the contributors of this page didn't do the old copy and paste here because with this 2xLP version the credits are now mostly wrong (ie there is no Track B5 or B7 etc). Great album though and worthy of your collection, whether they pressed 500 copies or 5000.
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