Tracklist
The Cloud Making Machine Part 1 | 4:28 | ||
9.01-9:06 | 5:54 | ||
Barbiturik Blues | 6:24 | ||
Huis Clos | 4:49 | ||
Act 1 Minotaure Ex. | 4:56 | ||
First Reaction (V2) | 6:58 | ||
Controlling The House Part 2 | 6:38 | ||
(I Wanna Be) Waiting For My Plane | 5:38 | ||
Jeux D'Enfants | 6:02 | ||
The Cloud Making Machine Part 2 | 2:13 |
Credits (4)
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Hotspot*Design
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Hélène BuillyIllustration
- Scan XMixed By
- Laurent GarnierMusic By, Written-By
Versions
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9 versions
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The Cloud Making Machine
CD, Album, Promo
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F Communications – F211PROMOCD | Europe | 2004 | Europe — 2004 |
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The Cloud Making Machine
CD, Advance, Album, Promo
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Mute Corporation – MUSDJ 163-2 | US | 2004 | US — 2004 |
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The Cloud Making Machine
CD, Album
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F Communications – F211CD | Europe | 2005 | Europe — 2005 |
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The Cloud Making Machine
LP, Album, Stereo, High Fidelity; 12", 33 ⅓ RPM, Single Sided, EP, Etched; All Media, Limited Edition
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F Communications – F 211 LP LTD | 2005 | — 2005 | |||||
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The Cloud Making Machine
CD, Album
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F Communications – 724596928226 | US | 2005 | US — 2005 | ||||
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The Cloud Making Machine
CD, Album
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URBR - Underground Records Brasil – UCD 010-06 | Brazil | 2005 | Brazil — 2005 | ||||
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The Cloud Making Machine
CD, Album
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indie ВИД – F211CD | Russia & CIS | 2005 | Russia & CIS — 2005 |
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The Cloud Making Machine
CD, Album; CD, Enhanced, Limited Edition
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F Communications – F 211 CDJ | 2005 | — 2005 |
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The Cloud Making Machine
CD, Album, Misprint
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F Communications – F211CD | Russia | 2005 | Russia — 2005 |
New Submission
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Recommendations
Reviews
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From the artwork to the dark music this is a pretty unique album. For some reason I was compelled to play it today! It’s like music from a horror movie but in a subtle way!
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Edited 12 years ago
referencing The Cloud Making Machine (CD, Album) F211CD
I like it. SO autumn, so damn atmospheric and coherent. I can say for sure it's already a part of me, like, my musical memory, you know. I return to it sometimes in my life, and it evokes the reminiscences from the past related to this music .
surely has something in common with Nicolas Jaar's album: these voices of male and children.. and especially that noir-esque mood.. yep. -
Edited 12 years ago
referencing The Cloud Making Machine (CD, Album) F211CD
Not my cup of tea. It's slow, repetitive, experimental, minimalistic, and ultimately, boring. Too spacey for me. Doesn't stick to the standard electronic music template and while that can be a good thing but here its risk taking backfires. It's crude jazz, essentially. -
referencing The Cloud Making Machine (CD, Album) 9282-2
Laurent Garnier continues to make impressive strides in techno, even if his albums don't garner the attention they once did. _The Cloud Making Machine_, certainly, is quieter than his more banging productions, but the tracks still display a good deal of thought and attention. The deep modulation in "9.01-9.05" fits perfectly with the moody chords overhead. The solitary drift of "Huis Clos" sounds like a lonely, midnight stroll along the Seine. And true to the nature of clouds, sometimes the clouds lose their way: "First Reaction" doesn't have a real direction and the meandering lyrics don't help. And if you thought that "Controlling the House" would signal a switch into a 4/4 kick drum, you'd be right. It's nice to hear Garnier in his forte, even if this particular track feels slightly bland. Luckily, the rock of "(I Wanna Be) Waiting For My Plane" is anything but bland, even if it does come out of nowhere. So while _The Cloud Making Machine_ isn't Garnier's best work, it still shows he's still relevant after all these years. -
Edited 20 years agoOne big step forward! For the moment, I think this is his best album yet. Have waited for several comebacks lately: Prodigy, Chemical Brothers and Daft Punk. All of them where disappointments.
This album breaks new ground and it's a masterpiece.
I can imagen lots of house people getting upset, because this isn't a house record. Even though, one really good house track called "Controlling The House Pt. 2" is in there. For the rest of the songs, except no. 8 (which is something that would work very well live), you should expect classical or jazz music. Then it starts to get a lot better.
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