Tom Petty And The Heartbreakers – Into The Great Wide Open
Tracklist
Learning To Fly | 4:01 | ||
Kings Highway | 3:05 | ||
Into The Great Wide Open | 3:42 | ||
Two Gunslingers | 3:08 | ||
The Dark Of The Sun | 3:23 | ||
All Or Nothin' | 4:05 | ||
All The Wrong Reasons | 3:44 | ||
Too Good To Be True | 3:58 | ||
Out In The Cold | 3:41 | ||
You And I Will Meet Again | 3:45 | ||
Makin' Some Noise | 3:25 | ||
Built To Last | 3:58 |
Credits (25)
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Tiny BouchetArt Direction
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AwestArt Direction, Illustration
- Brass Ring Circus StudiosArt Direction, Illustration
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Jan MatulkaArtwork [Cover Art]
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DZN, The Design GroupDesign [Design Coordination]
- Stan LynchDrums, Percussion, Performer [Champagne Bucket]
Notes
Eighth studio album released July 1991.
The album was the second Petty produced with Jeff Lynne after the success of Full Moon Fever.
The first single, "Learning to Fly", became the band's t longest-running No. 1 single (along with "The Waiting" from 1981's Hard Promises) on Billboard's Mainstream Rock Tracks chart, spending six weeks at the top spot. The second single, "Out in the Cold", also made No. 1 on the Mainstream Rock chart, albeit for two weeks.
The music video for the title song stars Johnny Depp as "Eddie", who moves to Los Angeles as a teenager to seek rock stardom, along with Gabrielle Anwar, Faye Dunaway, Matt LeBlanc, Terence Trent D'Arby and Chynna Phillips.
The album was the second Petty produced with Jeff Lynne after the success of Full Moon Fever.
The first single, "Learning to Fly", became the band's t longest-running No. 1 single (along with "The Waiting" from 1981's Hard Promises) on Billboard's Mainstream Rock Tracks chart, spending six weeks at the top spot. The second single, "Out in the Cold", also made No. 1 on the Mainstream Rock chart, albeit for two weeks.
The music video for the title song stars Johnny Depp as "Eddie", who moves to Los Angeles as a teenager to seek rock stardom, along with Gabrielle Anwar, Faye Dunaway, Matt LeBlanc, Terence Trent D'Arby and Chynna Phillips.
Versions
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100 versions
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MCA Records – MCA 10317 | Europe | 1991 | Europe — 1991 | ||||
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MCA Records – MCAD-10317 | US | 1991 | US — 1991 | ||||
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MCA Records – MCAD-10317 | Europe | 1991 | Europe — 1991 |
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MCA Records – MCA 10317 | Portugal | 1991 | Portugal — 1991 |
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MCA Records – MCA-70.100 | Venezuela | 1991 | Venezuela — 1991 |
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MCA Records – CMCASD-10317 | Canada | 1991 | Canada — 1991 |
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MCA Records – MCA 10317 | US | 1991 | US — 1991 |
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MCA Records – MCAC 10317 | US | 1991 | US — 1991 |
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MCA Records – MCA 10317 | Canada | 1991 | Canada — 1991 |
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MCA Records – MCA-10317 | US | 1991 | US — 1991 |
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MCA Records – MCA-10317 | Spain | 1991 | Spain — 1991 |
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Into The Great Wide Open
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MCA Records – MCAD-10317 | US | 1991 | US — 1991 | ||||
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BMG Ariola Discos Ltda. – 170.8008 | Brazil | 1991 | Brazil — 1991 | ||||
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MCA Records – MCAC-10317 | Canada | 1991 | Canada — 1991 | ||||
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MCA Records – MCA 10317 | US | 1991 | US — 1991 |
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MCA Records – MCASD-10317 | Canada | 1991 | Canada — 1991 |
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MCA Records – MCC 10317 | Italy | 1991 | Italy — 1991 |
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MCA Records – MCAD 10317 | Europe | 1991 | Europe — 1991 | ||||
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MCA Records – MCAD-10317 | US | 1991 | US — 1991 | ||||
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MCA Records – LMCA 6504 | South Africa | 1991 | South Africa — 1991 |
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Into The Great Wide Open
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MCA Records – (MCAD-10317) | Japan | 1991 | Japan — 1991 |
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MCA Records – MCAD-10317 | US | 1991 | US — 1991 |
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MCA Records – MCAC 10317 | Europe | 1991 | Europe — 1991 |
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MCA Records – MCAD10317 | Australia | 1991 | Australia — 1991 |
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MCA Records – CMCASD-10317 | Canada | 1991 | Canada — 1991 |
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MCA Records – TLP 90274 | Argentina | 1991 | Argentina — 1991 |
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MCA Records – 929-1113 | Ecuador | 1991 | Ecuador — 1991 |
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MCA Records – MCAC 10317 | US | 1991 | US — 1991 |
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MCA Records – MCC-10317 | Singapore | 1991 | Singapore — 1991 |
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MCA Records – MCAMD 10317 | Canada | 1991 | Canada — 1991 |
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MCA Records – MCAD-10317 | US | 1991 | US — 1991 |
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MCA Records – MCAC 10317 | US | 1991 | US — 1991 |
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Into The Great Wide Open
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MCA Records – MCAC 10317 | Poland | 1991 | Poland — 1991 |
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Into The Great Wide Open
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B.W. – 525 | Poland | 1991 | Poland — 1991 |
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MCA Records – MCAC 10317 | US | 1991 | US — 1991 |
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MCA Records – MCAC 10317 | Turkey | 1991 | Turkey — 1991 |
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MCA Records – MCA 10317 | Brazil | 1991 | Brazil — 1991 |
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Into The Great Wide Open
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MCA Records – CDLMCA 6504 | South Africa | 1991 | South Africa — 1991 |
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Into The Great Wide Open
LP, Album, Club Edition
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MCA Records – MCA 10317 | Canada | 1991 | Canada — 1991 |
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Recommendations
Reviews
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Outstanding. I have a very modest lower end system and this pressing spins DEAD silent and is very dynamic. If you happen to find a decent copy at a reasonable price - grab it. In confidence. 5/5
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The credits have not been changed from the 2017 pressing (Chris Bellman, BGM), but the runouts indicate this is clearly a new in-house (digital) GZ Media cut, not the Bellman. Such a shame that UMG is silently replacing those great versions. (Same has happened with Southern Accent and Damn The Torpedoes.)
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referencing Into The Great Wide Open (LP, Album) MCA 10317
My copy also has a one-sided glossy LP-sized insert showing all the Tom Petty/Heartbreakers albums up to this point. -
I see no mention of the charming intermission in which Tom requests the listener to turn over the media. It was present on my cassette copy and surely on some LPs, but omitted on the CD. Not sure what this feature was called or how long it lasted, nor did I ever hear another album that included it. Anyone?
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Great sounding Petty Album, Very bold, clean sound. This has become one of my favorite Tom Petty LP's!
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referencing Into The Great Wide Open (LP, Album) MCA-10317
This is a wonderful album. Great soundstage, organic and analog sound. All instruments are well-balanced. A highly recommended version. -
Edited one year agoIs it just me or is the second side louder than the first? Agree that it's a fabulous pressing.
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Not sure why my matrix numbers don’t have the crossed out numbers like they are listed here but a fantastic pressing either way.
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Edited one year agoOutstanding pressing. Jacket abit flimsy, but well worth the price vs having to shell out big $ for an OG.
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