Tracklist
Alarm Call (Radio Mix) | 3:22 | ||
Alarm Call (Rhythmic Phonetics Mix) | 5:23 | ||
Alarm Call (Bjeck Mix) | 6:27 |
Credits (4)
- Me CompanyDesign [Cover]
- BjörkProducer
- Mark BellProducer
- BjörkWritten-By
Notes
The 4th single from "Homogenic".
Homogenic singles:
▪ Jóga ▪ Bachelorette ▪ Hunter ▪ Alarm Call ▪ All Is Full Of Love ▪
Homogenic singles:
▪ Jóga ▪ Bachelorette ▪ Hunter ▪ Alarm Call ▪ All Is Full Of Love ▪
Versions
Filter by
46 versions
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Alarm Call
12", 33 ⅓ RPM, Single, #4
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One Little Indian – 232tp12p4 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 33 ⅓ RPM, Single, #3
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One Little Indian – 232tp12p3 | UK | 1998 | UK — 1998 | ||||
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Alarm Call
12", 33 ⅓ RPM, Single, #1
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One Little Indian – 232tp12p1 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 33 ⅓ RPM, Single, #2
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One Little Indian – 232tp12p2 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 33 ⅓ RPM, Single, #5
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One Little Indian – 232tp12p5 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 45 RPM, #6
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One Little Indian – 232tp12p6 | UK | 1998 | UK — 1998 |
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Alarm Call
CD, Single, ● Part 1
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One Little Indian – 232TP7CD | UK | 1998 | UK — 1998 |
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Alarm Call
CD, Single, ●●● Part 3
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One Little Indian – 232TP7CDX | UK | 1998 | UK — 1998 |
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Alarm Call
CD, Single, ●● Part 2
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One Little Indian – 232TP7CDL | UK | 1998 | UK — 1998 | ||||
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Alarm Call
CD, Single, Promo
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Mother Records – MumCD111 | Europe | 1998 | Europe — 1998 |
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Alarm Call
CD, Single
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Mother Records – 567 143-2 | Europe | 1998 | Europe — 1998 |
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Alarm Call
CD, Single, Card Sleeve
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Mother Records – 567 142-2 | Europe | 1998 | Europe — 1998 |
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Alarm Call
12", 45 RPM, Maxi-Single, Promo
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Barclay – 2944 | 1998 | — 1998 |
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Alarm Call
CD, Single, Promo, Card Sleeve
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Mother Records – 9005 | 1998 | — 1998 |
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Alarm Call
12", 33 ⅓ RPM, White Label, #1
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One Little Indian – 232TP12P1 | UK | 1998 | UK — 1998 |
New Submission
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Alarm Call
12", 33 ⅓ RPM, White Label, #2
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One Little Indian – 232TP12P2 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 45 RPM, Single Sided, White Label
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Not On Label – BJORK 29LL | 1998 | — 1998 |
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Alarm Call
VHS, Promo
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One Little Indian – none | UK | 1998 | UK — 1998 |
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Alarm Call
VHS, Advance
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Elektra – none | US | 1998 | US — 1998 |
New Submission
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Alarm Call
VHS, Advance
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Elektra – none | US | 1998 | US — 1998 |
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Alarm Call
12", 33 ⅓ RPM, Misprint
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One Little Indian – 232tp12p4 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 45 RPM, Test Pressing
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PolyGram – 2944 | 1998 | — 1998 |
New Submission
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Alarm Call
12", 33 ⅓ RPM, White Label, #4
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One Little Indian – 232tp12p4 | UK | 1998 | UK — 1998 |
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Alarm Call
12", 45 RPM, Test Pressing
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One Little Indian – 232TP12P5 | UK | 1998 | UK — 1998 |
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Alarm Call
Box Set; 3×CD, Single; VHS, PAL
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One Little Indian – 232TP7BOX | UK | 1999 | UK — 1999 |
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Alarm Call
12", 33 ⅓ RPM, Single, Promo
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Elektra – ED 6132 | US | 1999 | US — 1999 |
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Alarm Call
Box Set; 3×CD, Single; VHS, NTSC
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One Little Indian – 232 Tp7BOXUS | US | 1999 | US — 1999 |
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Alarm Call (1)
3×File, WAV, Single, Reissue, 16-bit 44.1kHz
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (2)
3×File, WAV, Single, Reissue, 16-bit 44.1kHz
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (3)
2×File, WAV, Single, Reissue, 16-bit 44.1kHz
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (4)
3×File, WAV, Single, Reissue, 16-bit 44.1kHz
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (5)
4×File, WAV, Single, Reissue, 16-bit 44.1kHz
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (4)
3×File, MP3, Single, Reissue, VBR
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (1)
3×File, MP3, Single, Reissue, VBR
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (5)
4×File, MP3, Single, Reissue, VBR
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (3)
2×File, MP3, Single, Reissue, VBR
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (2)
3×File, MP3, Single, Reissue, VBR
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (1)
3×File, FLAC, Single, Reissue
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (2)
3×File, FLAC, Single, Reissue
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Alarm Call (3)
2×File, FLAC, Single, Reissue
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One Little Independent Records – none | Worldwide | 2024 | Worldwide — 2024 |
New Submission
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Recommendations
Reviews
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referencing Alarm Call (12", 33 ⅓ RPM, Single, #5) 232tp12p5
Phenomenal sounding record. Dead silent with no surface noise or ticks at all, and fantastic mastering. Might honestly be the definitive way to hear the album version of Alarm Call on wax. And then some awesome remixes on top of that of course, for sure my personal favorite of the six 12"s in the series. Super pleased that they did these tracks justice! -
referencing Alarm Call (12", 33 ⅓ RPM, Single, #4) 232tp12p4
A side is great obviously, but the Teasmade Dub is really nice as well. Mellow and spacey but still driving. -
referencing Alarm Call (12", 33 ⅓ RPM, Single, #1) 232tp12p1
For me the Bjeck mix is out there with the Motorbass and Funkstorung remixes of Björk... and with Blur's mix of Massive Attack's Angel. Harpsichord vs. sitar for a start... and as a previous reviewer pointed out, it has humour, which is a difficult thing to carry off compositionally. -
referencing Alarm Call (12", 33 ⅓ RPM, Single, #3) 232tp12p3
Does a digital version of the "Reprosession" Mix exist anywhere? -
referencing Alarm Call (12", 33 ⅓ RPM, Single, #1) 232tp12p1
Alarm Call (Bjeck Mix) 6:26 at the end last 30 seconds is cumbia, I think from Peru. Maybe even Colombia. -
referencing Alarm Call (12", 33 ⅓ RPM, Single, #2) 232tp12p2
i have all five 12"es in this series. the only credits for this particular record state "written by bjork, produced by bjork and mark bell and track 3 produced by howie b." mark bell's name is in parenthesis after each song title, leading me to think he is the remixer for all tracks. -
Edited 15 years ago
referencing Alarm Call (12", 33 ⅓ RPM, Single, #1) 232tp12p1
IMHO, the previous reviewer is totally wrong :) The Mark Bell remixes are nice but he did not put much effort to them, really, half of them sound just like clones of one lazy, although pretty enjoyable remix. Benjamin Diamond remixes are just House as rakimou rightfully pointed ;). But this 12" contains three of the best experimental and incredibly funny remixes of Alarm Call. Yep, you have read it right, they are really funny and surprisingly experimental. Bjeck melody jumps and Matmos vocal therapy are amazingly shocking and enjoyable. -
Edited 18 years ago
referencing Alarm Call (CD, Single, ●● Part 2) 232TP7CDL
Potage du jour is the typical LFO sound. The essentially "stardust" remix edges out the Mark Bell sound by a gradation. The full dub is better than the edit. A typical dusty vinyl disco loop is sync'ed with Bjork's already robust tune. -
Edited 20 years ago
referencing Alarm Call (12", 45 RPM, #6) 232tp12p6
OK guys, we found it! That's the best release of Bjork - Alarm Call. These mixes are the best ones, of course they're from Mark Bell!
The best one is the Potage du Jour, it's the more achieved of this record, it has a funky bass, and a driving vocal sample (hellooo..hap).
The 2 other version being the same kind but with less instruments or so. They're made to be mixed with other tunes. The locked version has a high pitched voice to be play slower, while the Phunk You is low and demands to be played faster.
M. Bell is the best in making great music, and great records to mix!
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Edited 20 years ago
referencing Alarm Call (12", 33 ⅓ RPM, Single, #1) 232tp12p1
The Beck remix is just an ugly track, I don't understand the point of it, it has no interest. The music doesn't even goes well with the vocals, as if wasn't tuned! The very end of the song (30 seconds) is good, at least funny, with a Hawaiian or tropical feel music.
The Matmos mixes are difficult to listen to, not very enjoyable but have good parts. Especially when vocals are cut sharply to make new melodies or new words. It's funny and prove some good technique from those guys, but sometimes it also some very good music.
Overall, it's certainly not the best remixes of the great track that is Alarm Call. Listen to the Mark Bell Potage du jour, locked... or to the House mixes by Benjamin Diamond, they're much better, the radio mix is the best.
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