Antal DoratiPiano Concerto No. 3

Genre:

Classical

Style:

Neo-Romantic

Year:

Tracklist

Piano Concerto No. 3 In D Minor, Opus 30
Allegro Ma Non Tanto
Intermezzo: Adagio
Finale: Alla Breve

Credits (12)

Notes

Recorded 16 - 18 June 1961 at Watford Town Hall, England

Versions

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    32 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Piano Concerto No. 3, 1961-11-00, Vinyl Piano Concerto No. 3
    LP, Stereo
    Mercury – SR90283 US 1961 US1961
    New Submission
    Cover of Piano Concerto No. 3, 1961-11-00, Vinyl Piano Concerto No. 3
    LP, Album, Stereo
    Mercury – SR90283 US 1961 US1961
    New Submission
    Cover of Piano Concerto No. 3, 1961, Vinyl Piano Concerto No. 3
    LP, Album, Stereo
    Mercury – SR90283 UK 1961 UK1961
    Recently Edited
    Cover of Concerto No. 3, In D Minor, Op. 30, 1961-11-29, Vinyl Concerto No. 3, In D Minor, Op. 30
    2×LP, Album, Test Pressing, Mono
    Mercury Living Presence – MMA 11162 UK 1961 UK1961
    New Submission
    Concerto No. 3, In D Minor, Op. 30
    LP, Album, Mono
    Mercury Living Presence – MMA 11162 UK 1961 UK1961
    New Submission
    Cover of Piano Concerto No. 3, 1961, Vinyl Piano Concerto No. 3
    LP, Album, Mono, Richmond Record Pressing
    Mercury Living Presence – MG50283 US 1961 US1961
    New Submission
    Cover of Concerto Pour Piano Nº 3, 1962, Vinyl Concerto Pour Piano Nº 3
    LP, Limited Edition, Mono, Gatefold
    Philips – C. 42 1962 1962
    New Submission
    Cover of Piano Concerto No. 3, 1973, Vinyl Piano Concerto No. 3
    LP, Reissue, Stereo
    Mercury – SR90283 US 1973 US1973
    New Submission
    Cover of Rachmaninoff Piano Concerto No. 3 In D Minor, Op. 30, 1975-12-00, Vinyl Rachmaninoff Piano Concerto No. 3 In D Minor, Op. 30
    LP, Album, Reissue
    Mercury – SRI 75068 Netherlands 1975 Netherlands1975
    New Submission
    Cover of Piano Concerto No. 3, 2004-04-01, Vinyl Piano Concerto No. 3
    LP, Album, Reissue, Remastered, Stereo, 180g
    Mercury – SR90283 2004 2004
    Recently Edited
    Piano Concerto No. 3
    LP, Reissue, Test Pressing, Stereo, 180g
    Mercury – SR90283 2004 2004
    New Submission
    Cover of Piano Concerto No. 3, 2013-08-03, Vinyl Piano Concerto No. 3
    LP, Album, Reissue, Remastered, Stereo, 180gr
    Mercury – SR90283 Italy 2013 Italy2013
    Recently Edited
    Cover of Piano Concerto No. 3, 2015, Vinyl Piano Concerto No. 3
    LP, Album, Reissue, Remastered, Stereo, 180Gr
    Mercury – 478 8316 Europe 2015 Europe2015
    New Submission
    Cover of Piano Concerto No. 3, 2018-10-31, SACD Piano Concerto No. 3
    SACD, Stereo, Album, Limited Edition, Reissue, Remastered; CD, Album, Limited Edition, Reissue, Remastered, Stereo
    Stereo Sound (4) – SSHRS-031~032 Japan 2018 Japan2018
    New Submission
    Cover of Piano Concerto No. 3, 2019-10-29, Blu-ray Piano Concerto No. 3
    Blu-ray, Album, Limited Edition, Stereo, DSD256
    Stereo Sound (4) – SSHRB-008 Japan 2019 Japan2019
    New Submission
    Cover of Concerto No. 3, In D Minor, Op. 30, , Vinyl Concerto No. 3, In D Minor, Op. 30
    LP, Album, Mono
    Mercury Living Presence – MG 50283 US US
    Recently Edited
    Cover of Concerto No. 3, In D Minor, Op. 30, , Vinyl Concerto No. 3, In D Minor, Op. 30
    LP, Album, Stereo
    Philips – 6582 006 Netherlands Netherlands
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Repress, Stereo
    Mercury – SR 90283 US US
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Reissue, Stereo
    Mercury Living Presence – 130 512 MGY Netherlands Netherlands
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Mono
    Mercury Living Presence – MG-C 50283 Canada Canada
    New Submission
    Cover of Piano Concerto No .3, , Vinyl Piano Concerto No .3
    LP, Album, Stereo
    Philips – 6582 006
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Stereo, Gatefold , Gravure Universelle
    Mercury – 130.512 MLY
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Mono, Bridgeport Pressing
    Mercury Living Presence – MG50283 US US
    Recently Edited
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Stereo
    Mercury – SR90283 Canada Canada
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Mono
    Mercury Living Presence – SLP-6506 Brazil Brazil
    New Submission
    Cover of Concerto pour Piano No. 3, , Vinyl Concerto pour Piano No. 3
    LP, Stereo, Gatefold
    Mercury – 130.512 MLY
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Mono
    Mercury – 120512 MGL Netherlands Netherlands
    New Submission
    Cover of Concerto Pour Piano No 3, , Vinyl Concerto Pour Piano No 3
    LP, Stereo, Mono, Gatefold , Gravure Universelle
    Mercury – 130.512 MLY
    Recently Edited
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Repress, Stereo
    Mercury – SR90283 US US
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Album, Mono, Pitman Pressing
    Mercury Living Presence – MG50283 US US
    New Submission
    Cover of Piano Concerto No. 3, , Vinyl Piano Concerto No. 3
    LP, Repress, Stereo
    Mercury – SR90283 US US
    New Submission
    Cover of Piano Concerto No. 3, , Cassette Piano Concerto No. 3
    Cassette, Album
    Mercury – 30.103 CAA
    New Submission

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    Reviews

    • martyhmcgee's avatar
      martyhmcgee
      Played with the A-T 33 true mono cart, this pressing really shines. Dynamic and tight sonics. The A-T even tracked my warped copy better than my Ortofon 2M Blue.
      • surfers5's avatar
        surfers5
        My apologies for the long overdue reply – Yes, I own both records and have just performed another shoot out - I believe the difference in sound quality has less to do with Speakers Corner’s preferred pressing plant and more to do with this original pressing using a “fresher” master tape (43 years younger).

        And a special note – this first pressing has only 4mm of dead wax on side 2 - leading to wider grooves - so the majority of side 2 is much easier for a cartridge to track, thus sounding more dynamic and less congested compared to the Speakers Corner pressing, which has 23mm of dead wax - leading to narrower grooves - so more difficult for a cartridge to track, thus sounding less dynamic and more congested.

        Although with only 4mm of dead wax, this first pressing has some minor inner groove distortion during the last few minutes of play, but nothing to distract from the incredible performance. I’m guessing this is why Speakers Corner made the decision to use thinner grooves at the expense of improved dynamics.

        Both the original pressing and Speakers Corner reissue are fantastic, but if you want the very best pressing with maximum clarity and dynamics – look no further.

        And to answer your question - Does the original and Speakers Corner pressing have that broken space between 2nd and 3rd movements? – No, both the original and Speakers Corner do not have any audible broken space between the 2nd and 3rd movements. And looking at both records, there is no break between any movement on both sides of each record.
        • floweringspikes's avatar
          floweringspikes
          An amazing version of this recording.Dead silent with beautiful rich piano tone.
          • Pennsy's avatar
            Pennsy
            Just received my copy of Rachmaninoff Piano Concerto No. 3 with Byron Janis, the first Living Presence Stereo by Mercury to be produced with 35mm film. This has to be the definitive listening experience for this work! A great buying experience from https://discogs.sitiosdesbloqueados.info//btowns01. Thanks.
            • Bluemidnight's avatar
              Bluemidnight

              First of all, thanks for sharing this info!

              Guess you did compare the 2 records?

              Speakers Corner pressed at Pallas , which may explain this issue. There is a video on youtube where Chad Kassem said that he stopped pressing at Optimal back at the time because they polish the metal parts / stempers without letting you know about it and this caused such veil you described. Maybe Pallas does same? This is not the case with RTI US.

              Does the original and Speakers Corner pressing has that broken space between 2n and 3rd movements?

              Thanks.
              • surfers5's avatar
                surfers5
                Edited 4 years ago
                This US 1st pressing is much much better than the Speakers Corner reissue. As if a veil had been lifted, everything is better: clarity, dynamics, presence, etc.
                • jamesxia's avatar
                  jamesxia
                  I cannot believe there is a space between the second and the third movements. Usually they are played continuously. Unfortunately this LP doesn't. However, the CD from the same recording is correct. Besides that, the sound quality is absolutely great.

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                  • Avg Rating:4.55 / 5
                  • Ratings:119

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