Tracklist
| Symphonie Nr. 5 C-moll Op. 67 | |||
| 1. Satz: Allegro Con Brio | |||
| 2. Satz: Andante Con Moto | |||
| 3. Satz: Allegro Attacca | |||
| 4. Satz: Allegro |
Credits (6)
Ludwig van BeethovenComposed By
Herbert von KarajanConductor
Günter HermannsEngineer
Berliner PhilharmonikerOrchestra
Siegfried LauterwasserPhotography By [Foto Der Titelseite]
Otto GerdesRecording Supervisor
Versions
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144 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Sinfonía N.o 5 En Do Menor Op.67
LP, Album, Stereo
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Deutsche Grammophon – 18804 (kl-4) | Chile | 1962 | Chile — 1962 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress
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Deutsche Grammophon – 138 804 SLPM | 1963 | — 1963 |
New Submission
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Sinfonia N. 5
LP, Stereo, Red Stereo
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Deutsche Grammophon – 138 804 SLPM | Italy | 1963 | Italy — 1963 |
New Submission
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Symphonie Nr.5
LP, Stereo, Red Stereo
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Deutsche Grammophon – 138 804 SLPM | 1963 | — 1963 |
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Symphonie Nr.5
LP, Stereo, Red Stereo
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Deutsche Grammophon – 138 804 SLPM | 1963 | — 1963 |
New Submission
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Symphonie Nr.5
LP, Mono
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Deutsche Grammophon – LPM 18 804 | 1963 | — 1963 |
New Submission
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Symphonie Nr.5
LP, Mono
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Deutsche Grammophon – LPM 18804 | 1964 | — 1964 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress
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Deutsche Grammophon – 138 804 SLPM | 1964 | — 1964 |
New Submission
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Symphonie Nr.5
LP, Mono
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Deutsche Grammophon – 414 015 | 1964 | — 1964 |
New Submission
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Symphony No.5
LP, Stereo, Repress
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Deutsche Grammophon – 138 804 SLPM | UK | 1964 | UK — 1964 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress, Red stereo
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Deutsche Grammophon – 138 804 SLPM | 1964 | — 1964 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress, Red Stereo, 3/64
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Deutsche Grammophon – 138 804 SLPM | 1964 | — 1964 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress, Red stereo
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Deutsche Grammophon – SLPM 138 804 | 1964 | — 1964 |
New Submission
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Symphonie Nr.5
LP, Repress, Stereo
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Deutsche Grammophon – 138 804 SLPM | 1965 | — 1965 |
New Submission
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Symphonie Nr.5
LP, Repress, Mono
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Deutsche Grammophon – LPM 18804 | 1965 | — 1965 |
New Submission
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Symphonie Nr. 5
LP, Album, Repress, Stereo
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Deutsche Grammophon – SLPM 138 804 | 1966 | — 1966 |
New Submission
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Sinfonia Nº 5
LP, Album, Stereo
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Deutsche Grammophon – 104 304 | Spain | 1966 | Spain — 1966 | ||||
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Symphonie Nr. 5
LP, Album, Stereo
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Deutsche Grammophon – 138 804 SLPM | 1966 | — 1966 |
New Submission
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Symphonie Nr.5
LP, Repress, Mono
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Deutsche Grammophon – LPM 18 804 | 1966 | — 1966 |
New Submission
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Symphonie Nr. 5
LP, Stereo
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Deutsche Grammophon – 138 804 SLPM | 1966 | — 1966 |
New Submission
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Symphonie Nr. 5
LP, Album, Repress, Stereo
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Deutsche Grammophon – 138 804 SLPM | 1966 | — 1966 |
Recently Edited
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Symphonie Nr.5
LP, Reissue, Mono
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Deutsche Grammophon – LPM 18804 | US | 1966 | US — 1966 |
New Submission
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Symphonie Nr. 5
LP, Stereo, Repress
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Deutsche Grammophon – SLPM 138 804 | 1967 | — 1967 |
New Submission
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Sinfonia No. 5 En Do Menor, Op. 67
LP, Album, Club Edition
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Pergola – 50 226 | Spain | 1970 | Spain — 1970 | ||||
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5ª Sinfonia Opus 67
LP, Album, Club Edition
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Universal (7) – 52266 P | Portugal | 1970 | Portugal — 1970 |
New Submission
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Symphonie Nr.5
LP, Stereo, Repress
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Deutsche Grammophon – 138 804 SLPM | 1971 | — 1971 |
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Symphonie N°5 en Ut Mineur, Op. 67
LP, Reissue, Stereo
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Deutsche Grammophon – 138 804 | 1971 | — 1971 |
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Symphonie Nr.5
LP, Stereo, Repress
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Deutsche Grammophon – 138 804 SLPM | 1972 | — 1972 |
New Submission
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Symphony No. 5
LP, Album, Repress, Stereo
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Deutsche Grammophon – 138 804 SLPM | UK | 1972 | UK — 1972 |
New Submission
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Sinfonía No.5
LP, Reissue, Stereo
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Deutsche Grammophon – ALB. 800 104 304 | Spain | 1973 | Spain — 1973 |
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Symphonie Nr.5
LP, Reissue, Stereo
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Deutsche Grammophon – 138 804 | 1975 | — 1975 |
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Sinfonía No.5
LP, Reissue, Stereo
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Deutsche Grammophon – 11 04 304 | Spain | 1975 | Spain — 1975 |
New Submission
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Symphonie Nr.5
LP, Reissue, Stereo, GT2, asterisk
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Deutsche Grammophon – 138 804 | 1976 | — 1976 |
New Submission
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Symphony No.5
Cassette, Stereo, Dolby System
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Deutsche Grammophon – 3301 105 | Canada | 1977 | Canada — 1977 |
New Submission
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Symphony No. 5 In C Minor Op. 67
LP
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Deutsche Grammophon – 2542 105 | UK | 1978 | UK — 1978 |
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Symphony No.5 C Minor, Op. 67
LP, Repress
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Deutsche Grammophon – 2535-304--10 | 1978 | — 1978 |
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Sinfonia n.5
LP, Stereo
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Deutsche Grammophon Resonance – 2535 304 | Italy | 1978 | Italy — 1978 |
New Submission
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Symphonie Nr. 5 / Ouvertüren "Fidelio" "Leonore III"
Cassette, Dolby
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Deutsche Grammophon – 3335 304 | Canada | 1978 | Canada — 1978 |
New Submission
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Symphony No. 5
LP, Album, Reissue, Stereo
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Deutsche Grammophon – 2535 304 | Australia | 1979 | Australia — 1979 |
New Submission
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Sinfonía No. 5
LP, Album, Reissue
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Deutsche Grammophon – 25 35 304 | Spain | 1980 | Spain — 1980 |
Recommendations
Reviews
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referencing Symphonie Nr.5 (LP, Reissue, Stereo) 138 804
Great sounding LP, with a nice wide soundstage & whisper-quiet vinyl as well. -
referencing Symphonie Nr. 5 (LP, Repress, Stereo) 138 804
I own the runout variant 1. Looks like a 1970s repress. I also own a 1960s German pressing which sounds fuller in the mids compared to this one. -
This Karajan version of Beethovens 5th is one of the best.A close second to Furtwängler.
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Beethoven and Karajan needs no introduction……
One of the most impressive recordings of Beethoven’s 5th, the first four notes are played rapidly and with gusto….very impressive energetic performance. What I enjoyed the most about this 1962 recording is the clarity, precise sound, and amazing sound stage. This record is a must to classical music lovers.
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Really excellent version. If you can get hold of a good copy of the vinyl then the sound is really good.
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FFSS stands for Full Frequency Stereo Sound and refers to a recording system not a disc-cutting process. The German standard for stereo discs DIN 45547 (1962) recommends the same disc-cutting time constants (75, 318 and 3180 microseconds) as the RIAA standard. Test discs produced by Deutsche Grammophon were cut according to RIAA norms.
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This LP is pressed with Decca (FFSS) EQ curve; in order to hear the full glory of this LP, it is best to use the Decca EQ curve on the photo amplifier to replay it. If one uses the standard RIAA EQ curve to replay it, the whole scale and weight of the full Orchestra will not be there and the sound stage collapsed to a single 2 dimension presentation.
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